New Interview with Robin, released by Anthem Magazine A gaggle of teens with the “coolest job in the world”—hawking music while listening to same—are faced with the impending sale of their beloved record store to a big and shiny tunes chain. Four teenage girls at a Catholic prep school form a coven of witches to strike back at their peers and use their newfound sorcery for personal gain. At the end of the second millennium, Satan visits New York City in search of a bride to bear the Antichrist—over Arnold Schwarzenegger’s dead body. The connecting thread between Empire Records, The Craft, and End of Days is of course Robin Tunney, who hit it big in the late ‘90s and has grown to show as much longevity in her career as the select films from her body of work—cult phenoms, if not cultural touchstones by some measure. Now most widely recognized for her seven-year tenure on The Mentalist, which ended its run in 2015, the actress is teaming up with Nicolas Cage in Tim Hunter’s Looki
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